Sheldon Campbell, popularly known as Turbulence, was born on January 11, 1980.  He is a Jamaican artist and a self proclaimed Rastafari member.  This 31-year-old Sheldon Campbell also known as Turbulence is fast becoming one of Jamaica’s leading conscious dancehall deejays.  His influences range from the great Bob Marley, Sizzla Kalonji, Jah Cure, Luciano, Mikey General and his older cousin Norris Man.  With these influences from great artist, he has developed a unique singing and deejaying style. Turbulence first discovered his talent while still attending classes at St. Andrew’s Technical High School in Kingston, Jamaica.  He started beating up the desk, testing his tunes on classmates. His talents were well received, and Turbulence was encouraged to stick to his great talent. 

In 1999, he was discovered by Phillip “Fatis” Burrell from Xterminator Records.  Turbulence has worked tirelessly for the opportunity to command the mic and speak his thoughts.  Turbulence has released numerous of albums namely, I Believe, United, Notorious - The Album, Songs of Solomon, Triumphantly, Join us and Hail The King.  He and his album were featured in a documentary show in BBC known as the Storyville.  His popular song “Blood Dem Out” was also featured in a ski movie entitled “Show and Prove”.

2007 documentary film Rise Up, which explores the world of underground music in Jamaica, featured Turbulence as one of three main acts. The film documents Turbulence’s rise to prominence as an internationally recognized and nationally celebrated reggae artist.  It also highlighted the political and socially active nature of his music.  This documentary film was directed by directed by Luciano Blotta. This documentary movie, Rise Up was screened and showed at numerous film festivals.  These film festivals include IDFA and Hot Docs to name a few.  The film won the Best Music Documentary category at the AFI/Discovery Channel Silverdocs Festival. The film was also aired on the BBC.  It also enjoyed a well received theatrical debut in Jamaica, where it was reviewed by the Jamaican Observers.  It was even called as the "Rise of a new Classic". The films showed how Turbulence voiced the problems of post-colonial corruption, poverty, and violence in his country Jamaica.

His breakout single, “Notorious”, (see youtube video below)brought Turbulence and T.H.C. Muzik international acclaim. This was first released in 2004 on the Scallawah riddim.  "Notorious" rose to Number 1 on local and international Reggae/Dancehall charts not only in Jamaica but also in New York City, London, Toronto and Japan in 2005.  The track was re-released as the feature track of the Notorious album in 2006.  Today he is considered one of Jamaica’s rising stars.  

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Inner Circle is a Jamaican reggae and Alternative Hip Hop group formed in 1968 by the brothers Ian and Roger Lewis.  Joining them is Jacob Miller, their front-man and lead singer.  This Jamaican- bred, Grammy winning quintet is one of the world’s most famous reggae groups of the 70’s.  Inner Circle’s pop Jamaican beat and energy- filled live performances made them transcend the traditional reggae niche.  They have performed alongside with pop and rock music legendary icons like John Elton, Carlos Santana, Peter Gabriel and Jimmy Page among the few.  Its first debut album was released in 1974 under Trojan Records label.  In 1978, the band achieved a major breakthrough when the group was signed to Island Records where the internationally successful album entitled “Everything is Great” originated.  This album became a Top 20 hit in the UK and a top 10 smash in France.  Their most popular songs are “Mary, Mary” and “Music Machine”.  During those years, Inner Circle became one of the first Jamaican groups to tour the US.

Funky Brown (vocals), Prilly (vocals), Ibo Cooper (keyboards), Stephen Cat Coore (guitar), Ian and Roger Lewis were the original members of Inner Circles.  After several years, Douglas Gutherie on alto saxophone, and Leighton Johnson on trumpet joined the group.  In 1980, the bands fortuned shattered after their front- man, Jacob Miller was killed in a car crash.  After his death, Inner Circle broke up and did not return to the studio until six years with their new lead singer Calton.  Inner Circle was regrouped with the addition of drummer Lancelot Hall in 1985.  In 1987, they recorded the song “Bad Boys” which became the theme song for COPS, a long- running television program by Fox Network.  “Bad Boys” became a number one hit in almost every European territory.  It also sold approximately seven million copies worldwide. California guitarist, Dave Gonzales, joined the band for a tour in 1989.

In 1992, their song “Sweat (A La La La La Song)”, exploded across the world making it the number 3 hit in the UK Singles Chart.   They won the Grammy for Best Reggae Album with “Bad Boys” in 1993 and in 1994 the band scored again after earning a Granny nomination for Best Reggae Award for their album Reggae Dancer.  Their lead singer Calton, became ill in 1995 and necessitates him to have a lengthy recovery period.  He was later replaced by Kris Bentley.  In 2008, Junior Jazz became the lead singer.  Today, the members of the group run Circle House, a popular and respected recording studious in Miami.

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Christopher MacFarlane, also known as Macka B, was born in Wolverhampton.  At a young age, Macka B had already showed interest in music.  He was impressed by the vibrant reggae beat of the Lord Barley sound system playing in the blues party next door.  At school, Mack B played the violin and sang in the choir.  He listened to the music of Bob Marley, Count Ossie, Burning Spear, and Peter Tosh.  He continues to study and took his technical apprenticeship at the Ever Ready factory.  But due to factories closure, he was laid off.  He devoted his time practicing his toasting skills gaining inspirations from U- Roy, I- Roy, Prince Far- I and Big Youth.  He and some of his friend formed the Exodus sound system and soon became a Rastafarian.  His 1982 visit in Jamaica strengthened his commitment to toasting.  In 1983, he joined and won a D.J. competition in Rising Star Club in Bliston.  After this, he was featured in different radios several times, and his name began to spread.  HE performed with a local band Pre- Wax who had a hit with “Maggie’s Letter”.

In 1986, Macka B’s first ever album, Sign of the Times, was released under the Mad Professor’s Ariwa label.  HE started touring Europe and his album reached No. 1 in the Reggae LP charts.  He released his second album in 1987 entitled, “We’ve Had Enough” and his third album. “Look Are Deceiving” was released a year later.  In 1988 he revisited Jamaica where he worked with Black Scorpio label, recording the track “Love it in Jamaica” and “Slow Down Driver”.  In 1989, Buppie Culture produced the hit “Dread a Who She Loved”, Macka B’s duet with female singer Kofi which went to number one in the reggae singles charts.  Another reggae singles chart topper was produce in 1990 known as "Proud of Mandela" and became featured in the album Natural Suntan. 

Macka B became the first British artist to tour Australia and the former Yugoslavia (Slovenia, Croatia, Serbia).  He recorded 8 more albums with Ariwa namely, “Peace Cup”,  “Discrimination”, “Roots Ragga”, “Jamaica No Problem”, “Here Comes Trouble”, “Hold On To Your Culture”, “Suspicious”, and “Roots & Culture”.  He won the British Best Male DJ Awards in 1991 and 1992.  He also appeared in Channel 4’s “The Real McKoy” and other stations worldwide.  In 2000, he released his album “Global Messanger” under Ariwa label.  He recorded two songs a year after under Human label namely, “Homeland Africa” and “More Knowledge”.  With his music, Macka B continues to spread consciousness and break down the barriers.   

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Within the last 5 years German film company directors Noël Dernesch and Moritz Springer happen to be focusing on the film 'Journey to Jah' - an image that attempts to show reggae being an intriguing construct of music, politics and spirituality.

They've adopted Gentleman and Alborosie because they attempt to bridge the space between cultures. They've also spoken to artists for example Luciano, the late Gregory Isaacs and Lutan Fyah in addition to adopted the youthful, ambitious Terry Lynn around in Waterhouse, among the numerous ghettos in Kingston.

Help this movie come to reality. Click here for the full information of this magnificent project and how you can help it.

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Have you ever been to a casino? The music that they play in casinos is meant to make you feel bold, adventurous, and willing to gamble. The bright, flashing lights, high ceilings, and sexy wait staff embody the power and money that casinos everywhere embody. But high stakes gambling does not have to be too uptight, does it?

Black Jack, for instance, is commonly played by men who want to spend their Saturday nights relaxing with friends, drinking the occasional beer, exchanging stories, and trying to relax. In this case, reggae seems to be a fitting theme, given its naturally relaxed vibe.

If you want your own version of Black Jack Reggae Saturdays, invite your friends over after dinner. Prepare finger food, a few decks of cards, drinks, a table, and chairs. To familiarize yourself with the card game, check this cool site Then, set up your sound system for two hours or so of reggae music.

Perhaps black jack and reggae have one thing in common: so very few people appreciate it, but those who do get hooked. Black jack, although a gambling game, is actually a strategy game. Reggae, although very laid back, borrows its roots from rhythm and blues, which has quite a serious and a poignant origin. They are both an oxymoron in their own right, serving to contradict themselves.

One thing is for sure: when you play Black Jack with Bob Marley or Toots & the Maytals playing in the background, all bets are off. 

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Black Uhuru is an evolving group originally began as a trio founded by Derrick “Duckie” Simpson, Rudolph “Garth” Dennis and Euvin Spencer (a.k.a. Don Carlos). Black Uhuru got its name from the Swahili word for freedom (ergo, “Black Freedom”). After releasing a couple of singles such as “Time Is On Our Side,” Dennis and Spencer were replaced by Errol Nelson and Michael Rose. They were first reggae act to win a Grammy Award.

They did a cover of Bob Marley’s “Sun Is Shining” on Channel One’s Hitbound label. Just before that, they recorded the album Love Crisis (later remixed and reissued by Greensleeves as Black Sounds Of Freedom) produced by Prince Jammy.

Around this time, the attractive, American-born Sandra “Puma” Jones took the place of Nelson and eventually a spark was lighted. They won international acclaim with the haunting hits “Guess Who’s Coming To Dinner,” “Abortion,” “Plastic Smile,” “Shine Eye Gal” and “General Penitentiary” recorded for Sly Dunbar and Robbie Shakespeare’s Taxi label. These singles were gathered, in extended versions, on 1979’s Showcase. They were latered reissued on CD by Heartbeat under the title Guess Who’s Coming To Dinner.

The group then signed on with the Island-distributed label Mango. Their first Mango album, Sinsemilla, established their heavy-hitting, aggresive tone which continued on Red. It featured the driving title track, “Happiness” and “World Is Africa.” It was written by Rose and produced by Sly and Robbie. With the rootsy classics “Youth Of Eglington,” “Utterance,” “Rockstone,” “Sistren” and “Sponji Reggae,” Red is a near-perfect album.

Black Uhuru took a more electronic crossover direction when Sly and Robbie brought in keyboardist Wally Badarou with Chill Out and the Grammy-winning Anthem. Unfortunately, it marked the end of Michael Rose’s tenure with the band. Anthem was remixed for its U.S. release. Original versions can still be found on Liberation: The Island Anthology. Sly and Robbie’s versions of tracks from Red and Chill Out can be found on The Dub Factor.

Uhuru continued on signing up Junior Reid as lead vocalist and switching to the RAS label for Brutal. A dance hit co-produced by Arthur Baker of “Planet Rock” fame- “Great Train Robbery ended the days of Red/Sinsemilla. Every few years, the trio members are changed. After the death of Jones from cancer, the original Spencer/Simpson/Dennis lineup was brought up together for a series of unremarkable albums. The latest release, 2001’s Dynasty, Black Uhuru has been reduced to a duo: Simpson and the far younger Andrew Bees.

The group won their first Grammy award for Best Reggae Album back in 1985 for their album Anthem.

Video: Courtesy of Youtube / RastaChaka

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Luciano was born Jepther McClymont in 1974 in Davey Town. He started singing in church before moving to Kingston. From there, he made series of recordings for a number of producers and indie labels. The break came when he teamed with Burrell in 1993. They started with a handful of singles and then with a series of fine albums. Luciano’s work appeared on labels such as Island, VP, Ras, Shanachie, Jet Star and Burrell’s own Xterminator.

Reggae became less fashionable in the early 1990s. Ironically, Luciano surfaced as Jamaica’s next big thing. It wasn’t because he introduced new styles and trends, but rather he unraveled the classic roots reggae. It reminded the people that saying something still meant something.

However, he wasn’t a revivalist, like bringing back exactly the same past music, but somewhat bringing back the values of reggae into the present. His first full-length recordings with albums such as One Way Ticket (largely a collection of early singles), Where There Is Life, Messenger and Sweep Over My Soul — were all amazing in their honesty and refreshing in their maturity. Luciano’s voice was defined as both warm and authoritative.  Producer Philip “Fatis” Burrell made simple yet stimulating arrangements with thrilling backings. These enhanced Luciano’s passionate commitment he gave to his lyrics. Nevertheless, the cultural, Spiritual themes, and lovers rock ballads of Luciano’s music had fallen out of favor with the rise of dancehall. Luciano later regained them back up to this date.

As of 2005, his works remained high-volume. Though some are confusing, he still maintained the quality of his works. His first release on the Kingston labes was as mowing as with others he had done. 

He was cited as “The Messenger”. It actually fit him because he came out to be a leader among the next generation reggae artists who stays true to the music’s primary intentions. His conviction and faith made his songs’ message alive.

Credits: Global Rhythm

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Ziggy Marley and the Legends featuring THE MIGHTY DIAMONDS, July 30 and 31

The Jamaican harmony trio – Mighty Diamonds, is the longest running harmony trio composed of Donald “Tabby” Shaw, Fitzroy “Bunny” Simpson, and Lloyd “Judge” Ferguson. They started back in 1969 with their hit single “Country Living” and “Hey Girl”, and still active today. Ziggy Marley, the son of the great reggae legend Bob Marley and a reggae artist as well, expressed his gratitude to the trio in a recent interview in London, saying that they are the premiere male vocal trio in reggae music. He also said that the Mighty Diamonds is one of his musical influences. With this, Ziggy Marley and fellow reggae artist Tuff Gong, will feature Mighty Diamonds in their worldwide “Salute to the Legends of Reggae” tour.

Being honored as one of the great foundation reggae artists – I-Threes, Bob Marley’s Trio (Rita Marley, Marcia Griffiths, and Judy Mowatt), Toots and the Maytals, Ras Michael and others, Mighty Diamonds will perform at Del Mar Fairgrounds, San Diego, in July 30 and Hollywood Bowl, CA, in July 31, with Ziggy Marley and Tuff Gong.

Aaron Kayce, the Mystic Theatre talent buyer, answered the Northern California Rasta community’s demand by bringing legendary artists. The Mystic Theatre in Petaluma, CA, is so popular for music artists because of its classical touch and unmatched acoustics. With the Mighty Diamond’s performance on August 3 in McNear’s Mystic Theater, they couldn’t ask for more.

MIGHTY DIAMONDS SUMMER TOUR SCHEDULE:

Sat July 30: Ziggy Marley and Tuff Gong Worldwide Salute the Legends of Reggae, 

Del Mar Fairgrounds 2260 Jimmy Durante Blvd, De

Sun July 31:  Ziggy Marley and Tuff Gong Worldwide Present:

Hollywood Reggae Night X (10) with special guests I-Threes (Rita Marley, Marcia Griffiths and Judy Mowatt), Wailing Souls, Ras Michael Hollywood Bowl 2301 N. Highland Ave. Hollywood, CA                        

Wed Aug 3: Mystic Theatre 23 Petaluma Blvd N, Petaluma, 94952

Thurs Aug 4: Ashkenaz 1317 San Pablo Ave. Berkley, CA

Fri Aug 5:  Gaia Festival Black Oak Ranch, Laytonville CA.

Sat Aug 6: Moe's Alley. 1535 Commercial Way. Santa Cruz, CA

Sun Aug 7: Brick and Mortar Music Hall, 1710 Mission Street, San Francisco, CA.

Sat Aug 13: Rastafest Toronto, Canada

Sun. Aug. 14: Midwest Reggae Festival, Nelson, Ohio

For press and interviews, contact:  

Rani Shelah Moody

smoodytone@aol.com

(415) 312-8689

Management and Booking: 

Robert Oyugi, Ujama Productions

1107 12th St #517

Boulder, CO 80302

Office: 303-415-1352

Cell: (415) 308 5629

Fax: 1-866-249-9797

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Alborosie or Alberto D’Ascola in real life is a rising reggae star who follows a similar path from the greatest musical legends before him. He’s a promising young musician touring around the world and soon to mature as an icon in the music industry. His latest albums are “Escape from Babylon to the Kingdom of Zion” – released in 2010 (much of a sequel for his “Escape from Babylon” album in 2009) and “2 Times Rebellion” that was just released this year.

Born in Sicily Italy (1977), he got lots of attention from people as a prodigy. At a young age, he was able to play several instruments including piano, guitar, bass and drums. He got into numerous bands until he formed the reggae band ‘Reggae National Ticket’ at the age of 15. In 1993, the band signed up with BMG Records Italia and sold an unexpected 200, 000 copies years after.

With the interest of Black culture and origin, Alborsie shared the stage with other reggae bands in Jamaiica – Sunsplash 99’ and Sumfest 2000. He finally moved into the island with hopes of fully immersing himself to the culture, people, and the music he love. It was difficult at first since he left all his possessions when he moved out from his band in Italy. He found a decent job as a mixing engineer that ended up meeting Jon baker – Gee Street Records founder, who made him a house engineer and producer for Geejam Records. Working at Geejam gave him an opportunity to work with several international artists like UB40, Mario, and Angie Stone.

After years of collaboration with local and international reggae artists, Alborosie was ready to make a name for himself as a reggae artist. ‘Soul Pirate’ released in 2008 was his first solo album. It talks about his love, passion, and journey to Jamaica. “Herbalist” – the first single from the album, was an international hit and played continuously on the airwaves. It topped the charts for weeks but created a controversy because of its explicit lyrical and visual content. “Kingston Town” and “Call up Jah” also made an impression that Alborosie is on his way to the top. The songs got up to the MTV Italy and European reggae charts as the greatest summer anthems of 2007.

Alborie has been touring for the past years to continue his journey on becoming an icon for reggae music. His 2011 Summer Tour has just begun starting out in Espoo, Finland Iglesias, Italy on July 16.


Discography

• Soul Pirate (2008)
• Escape from Babylon (2009)
• Escape from Babylon to the Kingdom of Zion (2010)
• Alborosie, Specialist & Friends (2010)
• Dub Clash (2010)
• 2 Times Revolution (2011)

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Showcasing reggae music with the taste of various musical influences, Mad Caddies sets a unique vibe in the industry. The band has been touring in US, Canada, Europe, Japan and Australia for years. ‘Keep it Going’ – a 14 track album, is the band’s latest album released in 2007. With the association of the Grammy Award winning producer Wayne Jobson, the 5th full track album release became a huge success. It definitely took the listeners on a journey of Jamaican musical dancehalls to the mainstream music scene. 

The summer of 1995 was the time when high school buddies – Chuck Robertson, Carter Benson, James Malis and Todd Rosenberg, started the group under the name ‘The Ivy League’. The coast of California certainly is a beautiful place to enjoy under the sun but as the band got serious, they kept their noses off surfing routines by locking up in a barn. Focusing on their music, the band was able to release studio albums – ‘Quality Soft Core’ in 1997 and ‘Duck and Cover’ in the early 1998, under a new name. Mad Caddies went to existence after the record deal with Honest Don’s Records to avoid confusion since another band also went under the same moniker.  A year later, drummer Todd Rosenberg left the band. Since then, the band lineup fluctuated from time to time but it never changed the way Mad Caddies create music – in 2002, Benson left the band and Mark Iverson had to go in 2006.

The band has toured around the world countless times including Warped, Euro, and US tours in the late 90’s until 2003. EPs, live records, and full length albums were also produced within the band’s touring dates. In 2007, the band sold limited edition DVD albums and EPs.

The Mad Caddies’ talented crew of musicians is so diverse, giving reggae a touch of jazz, rock, swing, punk, and country music. With Chuck’s amazing voice (although he loves to smoke and drink a lot!), Mad Caddies was able to inject a unique brand of music around the world.  The current lineup of the band consists of the front man Chuck Robertson (vocals/guitars), Sascha Lazor (guitars/banjo), Keith Douglas (trumpet/back-up vocals), Eduardo Hernandez (trombone), and Dustin Lanker (keyboards). The band’s original drummer – Todd Rosenberg, reunited with the band along with his childhood buddy Graham Palmer to take on bass guitars.

Discography

• Consensual Selections (2010, compilation album)
• Live @ Munich Backstage Germany (2007, live album)
• 2007 Tour EP (2007)
• Keep it Going (2007)
• Songs in the Key of Eh! (2004, live album)
• Just One More (2003)
• Rock the Plank (2001)
• The Holiday Has Been Cancelled EP (200)
• Duck and Cover (1998)
• Quality Soft Core (1997)

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Formed in 1998, Groundation (the name came from the struggle to invite everyone on the same level to educate each other and ignore hierarchy) has been creating a unique sound of reggae music for years. The internationally known band started in the underground music scene, showcasing their music from Jazz, Fusion, and Dub influences. Composed of Harrison Stafford (guitarist/singer/composer), Marcus Urani (keyboards), Ryan Newman (bass), David Chachere (trumpet), Kelsey Howard (trombone), Jason Robinson (sax), Mingo Lewis Jr. (percussions), Te Kanawa Haereiti (drums) and singers Stephanie Wallace and Kim Pommel, the nine-piece band is considered one of the most outstanding reggae bands in the world. For years, the band has toured for over 4 continents and 30 countries, being hailed as a world-wide reggae movement that's still active today. They are also about to start another world-wide tour this coming September.

The roots reggae band started out in Sonoma County in Northern California. With the association of SSU (Sonoma State University) Jazz Program, the band came up with their very first original studio album under the band's name - 'Groundation - Young Tree'. In 2000, the addition of horn players David - a jazz player from San Francisco, and Kelsey - North Bay based trombone player, spiced up a whole new band repertoire. Much have been said to the changes of the bands line up - as an effect, the band has a rich music context that everyone is so amazed of. 

The world-wide tour of Groundation has created a global community that's still growing nowadays. Their live performances are truly epic, with 45,000 audiences in Morocco, 10,000 in Brazil, and 15, 000 at the Summer Jam concert in Germany. The band also shares the stage with great reggae artists in US reggae festivals - fans followed the group for shows especially in own California.

The combination of reggae music to social awareness issues is truly one of Groundation's ingredients for success. With the commitment of sharing their messages throughout the globe, the band is headlined in music magazines, shows, and festivals. For 12 years, the band was able to produce 7 albums including the latest 'Here I Am' - the band's sixth full-length studio release. It features the reggae icons - The Congos and Pablo Moses, in a collective story that people can relate to.

In July 2011, Groundation will be performing at the Festival de Casablanca in Casablanca, Morroco. To end the band's summer tour, they'll be performing for two days in Dour, Belgium and one will be held at New York. California will be the place to jump-start Groudation's Building an Ark World Tour in September featuring roots reggae artists such as Kevin Kinsella - former member of John Brown's Body.

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One of the leaders of the reggae dancehall movement, Sizzla Kalonji or simply Miguel Orlando Collins in real life emerged as a promising reggae artist in the late 90’s for his songs about love, faith, and advocacy. He gained popularity not only from his chart-topping singles but also from his controversial topics on homosexuality and western oppression.

Born on April 17, 1976 and raised by Rastafarian parents, Sizzla grew up with principles from the Bobo Ashanti branch of the Rastafari movement. He studied mechanical engineering in Kingston, Jamaica but he ended up with gigs for the Caveman Hi-Fi sound system. After honing his talents and making his own style of music, he was able to make a name for himself as a local performer. In 1995, he was able to deliver his message to a much bigger crowd as he released his first single with Zagalou label. A series of singles came after teaming up with “Bobby Digital” Dixon but his success isn’t that solid until he was recommended to producer Philip “Fatis” Burrel by the Jamaican saxophonist Dean Fraser. “Burning Up”, his first LP materialized later that year after releasing singles “Judgement Morning”, “Blaspheme”, “We Uh Fear”, “I’m not sure”, “Life’s Road” and “The Gun” – a Shadowman duet.

With the release of the second Burrel produced album “Praise Ye Jah” and Dixon produced album “Black Woman & Child” in 1997, Sizzla really became one of the best dancehall reggae artist throughout the globe. Sizzla’s hot streak of chart topping hits, from “Like a Mountain”, “Kings of the Earth”, “Babylon Cowboy”, to the Luciano duet “Building a Better World”, created a strong bond with Burrel. In 1998, Sizzla received his first nomination as the MOBO Awards’ Best International Reggae Artist of the Year. He was also feature in magazines, earning a place in the Top 100 Albums of the Year. Sizzla received his second MOBO nomination a year after. Controversies arose in 2004 as Sizzla was barred from entering countries and performing live concerts. Advocating violence against homosexuals in some of his songs, some of Sizzla’s concerts were cancelled after protests of Stop Murder Music Canada coalition, and other anti-violence movements in Spain, and UK.

Crossing different styles of reggae, Sizzla was able to release over 45 solo albums and 15 compilation albums. After years of performing and recording hits, he started his own record company which is the collaboration with Koch Records and Damon Dash Music Group – the Kalonji Records

The early 2010 gave Sizzla an opportunity to perform at the 86th birthday celebration of President Robert Mugabe of Zimbabwe. Months later, he was given a farm in the country where he can permanently stay as a citizen. Despite of all the controversies in his life, Sizzla remains committed in creating reggae music for the new generation.

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San Diego might not be a place where reggae music is appreciated the most. The guys in Tribal Seeds know that very much but it didn't matter a lot. With the love for the natural vibe of the Caribbean, Steven Jacobo (vocals/guitars) and his brother Tony-Ray Jacobo (keyboards), formed a reggae group in 2004 with talented musicians John Wegener (bass), Marc Munoz (guitars) and Tony Navarro (percussions). The band shares music influences like Pepper, 311, SOJA, Mighty Mighty Bosstones, and Bob Marley to create a flavorful yet empowering music across the nation.

Both raised playing musical instruments and reggae (there were plenty of times when their parents blasted the house with reggae music), Steven and Tony were inspired with the strong message in the music their family love the most. By the time they've improved their musical abilities, forming a reggae became possible. Despite of different musical influences, the band was able to have a strong reggae foundation. 

It wasn't hard for the band to embrace the true nature of reggae music. They were able to create an art form for rebel music enthusiasts with the refreshing rock vibe in a roots style reggae rhythm. With Steven working on the lyrics and the rest of the band on musical production, Tribal Seeds success came unexpectedly early. After three years of touring in North America, Mexico, Guam, and Hawaii with other reggae artists like Matisyahu, Stephen Marley, The Wailers, Gregory Isaacs, Rebelution, and SOJA, the band released their very first album "Tribal Seeds" under their own label. In the 2008 San Diego Music Awards, the Tribal Seeds got their very first music award - Best World Music. It was also picked by iTunes as the Best of 2008.

"The Harvest" was their second album released in 2009. Earning the number five spot on the Billboard Reggae Charts, it was definitely a successful follow-up album (where most bands have a hard time doing it). It consists of fourteen original tracks, written and produced by the band itself - as usual, Steven did the writing. The album was recorded and mixed by Alan Sanderson at Signature Sounds Studios in San Diego. Erik Lobson at Universal Marketing did the mastering.

One character that Tribal Seeds are very proud of is that they're still young and flexible with given work conditions - like extended music tours. Yes, the band is still to mature - that's why their fans are still expecting more changes (better ones) in the future. With the involvement of some members of the band with other music artists, they are soon to showcase a more unique repertoire with the mix of blues, rock, punk, funk, and fusion - like every music style in history does to adapt in the new generation. 

Download Tribal Seeds' Album Here

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A native of Kingston, Jamaica, Jah Cure or Siccature Alcock in real life is a reggae artist who had his break during the 90’s. His single named “King of the Jungle” with another artist Sizzla was a jumpstart for his career in the reggae scene. He was born in October 11th 1978 and grew up in Kingston along with his reggae influences Capleton and David House Crew – the one who named him Jah Cure because of his profound smoking of herbs that results into a certain “cured” look.

Jah Cure’s career started on small performances in pubs and hanging around studios. With Beres Hammond as his mentor, he was able to release his very first single “King of the Jungle” that gained a lot of attention from listeners. With the constant release of successful singles and growing number of fans throughout Jamaica, a car arrest in Montego Bay for gun possession, robbery and rape dragged the young artist down. In April 1999, he was found guilty and sentenced to 15 years of imprisonment – although he constantly stated his innocence.

While serving his sentence, Jah Cure was still getting a lot of support from his fans. With the growing number of his supporters, he’s become a folk hero. Having the access to recording instrument while in prison was a silver lining for Cure to finish what he started – to make music that’ll be appreciated by everyone. His very first album “Free jah Cure The Album The Truth” in 2000 was a major breakthrough in his career. Tracks from it are constantly heard in radio stations and some even topped the charts.

After two years, the album was backed up by “Ghetto Life”. In the year of 2005, Jah Cure released his final album inside the prison “Freedom Blues”. He was released from prison on a parole last July 2007 with high hopes of performing in live audience again. After three days, he released his fourth album “True Reflections… A New Beginning” which may have been derived from his new found freedom. At the Reggae Sundance held in Eindhoven, Holland in August of the same year, he was able to perform in front of a live audience for the very first time. It was a headlining performance that people were dying to witness. With his powerful yet unique way of singing, he was able to send the message of life, imprisonment, freedom, and hope to the crowd. It was quite a surprise too because many didn’t expect him to be at home on the stage since it was his first time – but he really did a great show for everyone.

After years from imprisonment, Jah Cure released “The Universal Cure” in US on April of 2009. By the end of 2010, his success continues with singles “Unconditional Love”.

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Tags: jah cure, jamaican, Reggae

With the dominance of male in the reggae scene, who wouldn't notice the "almost" all-girl band from the reggae capital of the Philippines? Sefyla - derived from a female cult in Africa that was believed to be led by a godedss, stood out from the reggae scene with a unique taste of rock and ska. Now composed of Yapi Taneo (vocals), Tara Uy (guitars), Vonay Sanchez (bass), and Rey Mart Taneo (drums), the band is set to conquer the realm of reggae enthusiasts with Yapi's powerful voice and mind enlightening songs.

The band started out as an all-girl band in 2003 to participate in a high school band competition. After winning the competition with cover songs from Save Ferris and No Doubt, the band decided to play music in various occasions. The band loved to play ska – a product of their common interests, which was dominant over the song “Hang Over”. It was included in a compilation album “Doobie Nights” that was played all over the metro but never publicly released in Cebu – quite ironic. They years passed by for the all-girl band until members pursued their personal careers. It was the band keyboardist Teri Paller who oraganized the defunct band back together with a new guitarist to play in local music bars until 2005.

To bring back the band’s spirit, they joined a local band competition Itzamatch: Rock to Fame in the late 2008 with their new vocalist Yapi Taneo of University of the Philippines. They didn’t win the competition, buy they definitely earned a place inside the hearts of the audiences who witnessed their performance.  Time passed by for the band to mature as reggae artists that’ll be known throughout the country. With a solid foundation on reggae and ska, they were able to come up with songs with a mix of heavy metal, rock, blues, and jazz. The socio-cultural awareness embeds in the lyrics allowed a heavier context that people can relate to.

In 2009, the band was ready to release their first original repertoire – stories of war, hearts and minds, a collage of undying passion for freedom in the modern age. A feeling of liberation is the effect of hearing Sefyla’s songs – the band calls it music activism. It was also the time for Rey Mart Taneo – the only thorn among the roses, to join the lineup. With the collaboration of ideals, talents, and influences, the band was able to come up with a slight twist in the standard genre of reggae.

Sefyla is definitely one unique band you can come across these days. In the band’s 8th year, they continue to spread messages of hope and freedom. Watch out for their new album that’ll be released this year.

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Tags: homegrown talent, Pinoy Reggae, pinoy ska, Reggae, sefyla

The island of Cebu has been the place for the Caribbean vibe of reggae music for years. Being named as the reggae capital of the Philippines, it is the home for outstanding reggae bands these days - one of them is Junior Kilat (the name was inspired from a 70's Cebuano band "Leon Kilat"). Composed of members Errol "Budoy" Marabiles on vocals, bass guitarist Tiano Evangelista, Archie Ybanez on lead guitar, Gina Pentano on keyboards, Diana Freese on drums, Cleofas Quijano on trombone, with the unlikely mix of turntables by Bangin atienza, the band is set for the reggae invasion all over the 7000+ islands of the Philippines. With their playful yet brilliant repertoires, we can only expect a bigger, better and bolder Junior Kilat for years to come.

Formed in 2000, the band was able to set a new trend in the music scene with their funky, humorous and modern approach on reggae. With their influences such as Sly and Robbie, Eek-A-Mouse, Prince Far-I, Lee Scratch Perry, and popular novelty artists Yoyoy Villame and Max Surban, they were able to introduce an ear catching vibe - RnB (Reggae na Bisaya) delivered in a very humorous way. As the band set foot on local performances, they instantly made a big name in Cebu with the hit single "Ako si M-16" (a song for guns) - the rumors about the young band reached as far as the metro.

Having a unique vibe and rhythm, their songs "K-Fyne", "Original Sigbin" and "Kling Klang" was succesfully included in compilation albums "Island Riddims" and "Island Krismas" released in 2004. In the 2005 NU Rock Awards, Junior Kilat received the Song of the Year award after which they released the album "Party Pipol on Dub TV" on Galaxy Records.

The "Buwad Suka Sili" album was their response to their growing number of fans. In 2006, Budoy Marabiles joined the reality show Pinoy Big Brother Celebrity Edition where he wrote songs "Maligo na Jam" and "Budoy Ako" - the Visayan version of the show theme song "Pinoy Ako", which were also used in the program. It was quite controversial since the rising band's progress was placed in hiatus and people are clueless whether Budoy are on to his personal career or just making a way to promote his band. After Budoy's eviction, the Cebuano band was active again to pursue their careers as reggae artists. 

The recent album of Junior Kilat is "Enrique de Malacca". As the name suggests, it’s filled with awareness of Philippine history - Spanish colonization, traditions, indigenous, pagan, and religious beliefs. It's what makes Junior Kilat unique - being able to incorporate culture and beliefs through their lyrics and songs in a modern taste of reggae music.

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Tags: homegrown talent, jr kilat, junior kilat, Pinoy Reggae, Reggae, reggae band, sigbin

It is a usual scenario for every amateur bands to go through many difficulties that may break them or bring them up in the music industry. For the Hemp Republic, it is something that made them strong and succeed as artists. Nowadays, they're being looked up as one of the pioneers in the Philippine reggae scene.

Hemp club is a product of UP Los Banos. In 1999, most of the band members were very active in the university organization UP Jammer's Club and they had their own bands then. Mags Gahol (rythm guitars), thought about putting up a reggae band since reggae wasn't that popular before. Unfortunately, it never materialized until Bunny Liwanag (vocals) and Tonton Hatol (lead guitars) came into a serious decision of putting up their own regae band in 2000. After the jam sessions with Mabs Tolentino (bass), Al Sese (Drums), Alfred Pagsuyuin (keyboards), and supposed-to-be band front runner Mags, the band was able to come up with the song "Hey Body Rock".

 

The band preferred cover songs at first, most of it are from the "Jamaica Me Groovy" compilation album (a pirated one). Since then, they were on the way for gigs that'll define them as a band. The band's first performance was in fromt of a live audience together with the local band Sucker Fish. They were also able to play in a bar somewhere in Las Pinas that was called Z-bar. On their way to play some more gigs, they found a bar in Quezon City where they get to play a set which was quite inconvenient since they have to drive for hours to get there. The band got a little lucky when the school year started in UPLB. With the small bars near the campus, they were able to produce their own gigs usually by selling tickets and creating posters of their own. It was an opportunity for the band to mature as musicians with the additional member Caio Cadiz (percussions).

The band's affiliation with Put3ska's Bing Austria was quite a blessing - they were able to play in Freedom Bar for one of Club Ska's gigs. The dream of playing regularly in the metro is already coming true as they were booked by Bing in several occasions. After numerous auditions and rehearsals, they were finally given a regular gig on Mayrics - a place where most popular bands started, alongside the pioneer of the reggae music in the Philippines - CocoJam. In 2001, the opening of Xaymaca (now closed) in Timog Avenue opened the doors for the band to enter a much larger music scene as they shared the stage with established bands like the Brownman Revival. A year later, Glober Calambro (trumpet) and Arjo Ayende (trombone) joined the crew to add some spice in the band's reggae music.

"Welcome to Hemp Republic" was the shutout of the band's first album. The album's success paved way for music videos for the songs "Sabihin Mo" and "Fireflies" - The marker that Hemp Republic is already making a name in the Philippine music industry. Although there were some changes in the band lineup - Eggy Mallary (bass) and Jeck Cenidoza (trombone), the band is still committed to promote reggae music in the country. They are hopeful that someday, Filipinos will not only jive to their songs but also dig deeper into the essence of reggae music.

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Tags: hemp republic, homegrown talent, Pinoy Reggae, Reggae, reggae band

The music events in Bicol has been paving way for young artists to showcase their talents all throughout the region.  Some of the local bands have already reached a whole new level in the music scene and new bands are hopeful to earn a place in the country’s music industry. A few years ago, a local band from Albay was featured by Francis Brew of NU107 – the reggae band Stolen Shots, which was included in the 20 track compilation album “Musicmax Bicol” – featuring eight bands in Bicol from various genres Centerfold (alternative pop), Pepsi Paloma Experiment (Euro pop), Pentacle (rock), Pandora’s Box (Heavy Metal), Idle Pitch (alternative pop), Black Gulaman (alternative rock), and Buckyard Boyz (hip-hop). The album was officialy launched in 2008 in a concert produced by Rebolusyon Rekords in Naga and Legazpi city.

Stolen Shots is a local band from Albay that is composed of members Prime Ramo (vocals), Noel “Nhoy” Dollentas (bass), Lemon Brondial  (drums), Ryan Pasamba (trombone), Irle “Payirl” Sabdao (trumpet), and guitarists Ley Otilano and Jhoe Perez. Together they mix rock and reggae in an upbeat rhythm of ska. The fun loving band started performing in 10 years ago and they’ve been doing acts in schools, universities, festivals, and even band competitions. Soon they are already sharing the stage with other established local bands like Mudflow, Childsplay, and Pepsi Paloma Experiment.  The songs composed by the band guitarist Leo Otilano made a big difference the band’s success. The Song like “Chocolate Brown Coffee” was the talk of the town as the most energetic reggae beat you can listen to these days. With that, it was featured in the Standout Track of The Week in Nu107’s In the Raw program for two weeks in a row as a part of Musicmax Bicol album compilation. The band’s live performance is also one thing that sets them apart from other reggae bands you know of – they’ll pump you up with the beat they’re playing. Their exceptional showmanship truly is, one of a kind.

The band has gone through many hardships but it never stopped them from playing the music they love and entertaining people with their unique style and repertoire. Just last year, they’ve performed in the annual Ska Festival held at Mogwai Café, showcasing their music with popular bands such as Jeepney Joyride, The Marcos Cronies Conspiracy, Pinkcow, and Skabeche. They’re also performing as regular front act for established bands and artists in concerts help in Legazpi City.

Still, the young band has a lot to face in the future. With the opportunities provided by the local music industry, we can only expect the young bands nowadays to showcase their true talent and be successful artists in the future.

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Tags: homegrown talent, Pinoy Reggae, pinoy ska, Reggae, reggae band, ska band, stolen shots

Usual bands come in three or four members. Now, imagine what it sounds like to mix a number of awesome talents into one unique band. Skabeche may be unusually huge with its ten members but it somehow creates a big difference in the Philippine music scene. As flavorful as the Filipino cuisine Escabeche – a sweet and sour dish of dried or poached fish, Skabeche offers a mix of blues, punk and jazz through the dance beat of ska. The humorous way of addressing political and cultural awareness in their songs captivated the hearts of many fun loving Filipinos.

The proud band from Bulacan, is composed of members Michael “Dadi Mike” Santos (vocals/guitar) – also a guidance counselor and professor, Noel Salonga (percussion), Kim “Kympwet” Patawaran (drums), Leonardo “Monz” Castillo (guitar), Daniel Quintero Jr. (bass), Lester San Juan (vocals/alto saxophone), Billy Adap (trombone), Mark “JR” Ibanez (trumpet), Roberto Santiago (tenor saxophone), and Roberto Villegas Jr. (baritone saxophone). Surprisingly, they were able to combine their talents and musical influences into one awesome vibe, Ska – the band’s common interest which is closely related to reggae with an upbeat pattern. Officially formed in 2000, the band came up with many names until they settled with Skabeche – derived from the usual Filipino dish “escabeche”. Years later, they are  already sharing the stage with other popular artists with the tag – “Ang pambanSkang banda ng bayan”.

The unconventional band has gone through many struggles as many other mainstream bands did, but their catchy music kept listeners wanting for some more. May it be recorded or live performance, you’ll be dancing to their rhythm. The humor embed in the songs such as “Lamok” and “Good Day”, is something that Filipinos can relate to – being able to address political and social issues in a very funny way. Earning the place in the hearts of the community is something that they’re very proud of. As a result, the proud Bulakenyos succeeded in the Philippine mainstream being considered as one of the best independent artists in the country. They’ve been performing acts for many years in different parts of the country and they’re also they mainstay in the cooking show “Ka-touque” aired in GMA News TV as live performers. Their songs are often heard in radio stations grabbing a place in the most played bands in the airwaves.

For the past 11 years, the band accomplished many things that earned them a place in the Philippine music industry and internationally as well. With that, they also share their success through the band’s album “Skabeche: Table for Ten” where part of its proceeds will go to the beneficiary called Earnest Support for Underprivileged Children Charity Association Inc. (E-SUCH) – a non-profit organization that offers education opportunities for underprivileged children of Bulacan

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Tags: homegrown talent, Pinoy Reggae, pinoy ska, Reggae, reggae band, ska, skabeche

The city of smiles has been haunted by the great Mount Mayon for many years. As the young unnamed band was on its way for an act in Legazpi City, a road sign “Mudflow ahead” caught them by surprise – they already have the name for the band. Their idealism in the music that they play keeps them active until today. 

The surprising fusion of the popular Bicol novelty song “Sarung Banggi” (One Night) of Potenciano Gregorio – a renowned composer of novelty songs, and reggae melody was a huge success for the band – Mudflow. The reggae band from Sto. Domingo, Albay is composed of Abraham Defeo (vocals), Ray Gerard Marquez (drums), Fidel Balin Jr. (bass), and guitarists Mark Andrew Ortiz and Fidel Balin III – all related by blood. In their early years, they shared various music influences but their passion for reggae and ska went on. The reggae band was officially formed in 2002 and played gigs all over the region of Albay with the goal of promoting the culture of their fellow Bicolanos.

Although the tracks sounded really great, the very first album of Mudflow - the product of the band's creative juices, was only backed up with a desktop computer. Being new to the music industry, they never had the chance to have it distributed by an established label. With the help of their friends and supporters, they were able to reach the farthest sides of the Bicol region. Aside from the novelty hit “Sarung Banggi”, other songs like “Ay Naku Po” - composed by Ace Thomas (a band relative), and “Paraisong Panaginip” - a song that talks about environmental awareness, are also being played in local radio stations of the region.

Earning the title of Magayon Festival Band Competition later that year, Mudlfow reached a new horizon in the local music scene. The band was talked over in local airwaves and performed in many places in Southern Luzon. They were found in festivals, universities, and campus tours. They also performed as a front act for artists such as Slapshock, Kamikaze, the defunct Orange and Lemons, MYMP, and their fellow reggae band – Tropical Depression. Soon enough they've reached the reggae bars in Metro Manila like Xaymaca, Tiendesitas, and One Love Bar.

Mudflow somehow succeeded in reaching the mainstream music industry as their novelty song “Sarung Banggi” was included in Jam 88.3's compilation album entitled “Doobie Nights” in 2006 under Galaxy Records. Still, the band is hopeful for appreciation in the Philippine music scene by promoting regional diversity through their spicy taste of reggae music. With Mudflow's self-titled album last 2006, reggae lovers from different parts of the country awaits for the band's next album release.

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Tags: homegrown talent, mudflow, Pinoy Reggae, Reggae, reggae band